(…) The actors capture the audience, enchant them with music, song, theater and unique scenery. It is a wide spectrum that is served to an audience hungry for “Klemetspelet”, after the corona postponement, an audience which amounted to around 2,400 people in total for 4 perfomances. And the public is served more than a ‘seven-course meal’. It is a completed totality that leaves us spellbound. The ‘dessert’ lies in the diversity, the accomplished directing and the aesthetic premises; folkdance, scythe-tattoo, line dance, hay festival atmosphere, lovely singing, joik, convincing acting, humour, seriousness and charm from A to Z. The play’s theme of outsiders, standing out, bullying and village talk, is just as difficult, painful and relevant today. – As the play problematizes this, it engages more than an entire village, unites young and old, amateur and professional, and erases the differences, colors the rainbow with all colors and makes room for everyone, and gathers it into a whole. (…)
– Newspaper: Avisa  Hemnes, by Edel Annie Tverberg

(…) Klemetspelet 2022 turned out to be an adventurous and colorful, indeed magical experience even in daylight. Never before has the play appeared as exuberant, as well played and as tightly directed as this year. (…) Theater magic has been created on the play grounds every time the Klemetspellet has been staged, but never has the magic been as sparkling and enchanting as in this year’s play. Klemetspelet 2022 is simply a high-class ensemble performance. You just have to take a deep bow and start looking forward to the next round.(…)
– Ranano , by Kristian Rødvand